Few artists in the modern minimal–deep tech scene manage to stay as consistently fresh and forward-thinking as Toman. Over the past years, the Dutch producer has carved out a reputation built on groove-driven arrangements, hypnotic basslines, and a crisp, modern aesthetic that has become instantly recognizable on dancefloors from Amsterdam to Tulum. His next release, Backstage Beauties, landing next Friday, is yet another step in his evolution—an exploration of precision, finesse, and the subtle details that define his sound.
Toman’s rise has been steady rather than explosive, marked by a series of EPs that quietly reshaped the minimal landscape. His releases on labels like NO ART, Fuse, and PIV showcased a producer who understood restraint as much as power—always leaving space in the mix, always letting the groove breathe. His background as a drummer also plays a major role in the percussive identity he brings to the table; every shuffle, rimshot, and hi-hat in his productions feels intentional.
But perhaps no track captured his artistic identity better than “Verano En NY”, the record that dominated the summer circuit and became one of the most-played tracks during rooftop season and open-air marathons. With its Latin-inspired swing, sun-kissed chords, and unmistakable rolling bassline, the track crossed the borders of its genre and found support from tech house selectors, deep house tastemakers, and even some melodic DJs looking for a warm-up weapon. It wasn’t just a track—it became a summer anthem, the kind of record DJs relied on to shift a crowd into a brighter, more euphoric gear.
Now, with Backstage Beauties, Toman is steering into a deeper, slicker territory. Early whispers from insiders describe it as a “dancefloor-smart” EP—groovy enough for peak time, subtle enough for intimate after-hours, and polished in the way only Toman can deliver. Expect tight drum programming, a low-end that moves with purpose, and melodic touches that appear like snapshots—brief, catchy, not overworked.
The title itself, Backstage Beauties, suggests something personal: those hidden moments of a show that most fans never see—the quiet tension, the pre-set focus, the conversations between artists in dimly lit hallways. Toman seems to translate that atmosphere into sound, crafting tracks that feel both private and universal, both minimal and energetic.
From an industry standpoint, the release continues to highlight why Toman is one of the few artists able to move between sub-scenes with ease. He remains respected by purists while still connecting with broader audiences—something not many minimal producers manage to achieve.
As next Friday approaches, fans can expect a release that lands right in the sweet spot between club functionality and artistic intention. Backstage Beauties isn’t just another EP; it’s another reminder that Toman is operating at the top of his game, still pushing, still evolving, still building a sound that feels unmistakably his.
If “Verano En NY” was the soundtrack of the summer, Backstage Beauties might very well become the late-night weapon of the season.
