In a rare 2026 interview with Vogue Adria, Solomun offers an unusually personal look beyond his life behind the decks. He speaks about phone culture on dance floors, his relationship with music and technology, tennis, his Balkan roots, and his admiration for Novak Djokovic. As a reader, you may be interested to know that this piece delivers exclusive insights into Solomun’s views in our Solomun interview 2026 coverage.

Solomun has spent years maintaining a deliberate distance between his public career and his private life. Despite being one of electronic music’s most recognizable figures, interviews remain relatively rare. Yet, his latest conversation with Vogue Adria reveals a side of the artist that audiences do not often get to see.

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Speaking with journalist Tara Đukić, the Bosnian-German DJ and producer reflected on everything from the changing culture of electronic music to the simple routines that help him disconnect from life on the road. These topics paint a fuller picture than any previous Solomun interview from 2026.

Solomun on phones: “You are not alone at a party”

One of the strongest moments of the conversation came when Solomun discussed the increasing presence of phones on dance floors.

He is not calling for people to stop filming altogether. Instead, his concern is what happens when documenting the night becomes more important than experiencing it, as he explained in detail during the Solomun interview 2026 highlights.

“You are not alone at a party.”

Solomun explained that people are sharing a dance floor, music and an experience with everyone around them. He added that there is nothing wrong with briefly capturing a moment.

But he was much more direct about spending an entire party filming:

“If, in the end, all you do is film, then you are doing something wrong and you are probably here for the wrong reasons.”

His position is not new. Years ago, his team began distributing flyers at events encouraging audiences to be more present rather than imposing an outright ban on filming.

Music still comes before everything else

Solomun also explained why he has kept so much of his private life away from public view. This is further explored in the context of our Solomun 2026 interview discussion.

For him, privacy works partly as protection from the enormous level of attention surrounding his career.

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Rather than building a public persona around his everyday life, Solomun wants the relationship between himself and his audience to remain centered on one thing: music.

“The only connection I want with people is through music.”

He added that music comes first for him. He described everything surrounding it as “unnecessary noise.”

His thoughts on technology and the new generation

Despite his traditional approach to the craft, Solomun is not against producers using new technology. As he pointed out in the interview Solomun gave in 2026, progress is essential.

In fact, he acknowledged that previous generations of producers would probably have used the same tools if they had been available.

His concern is what can be lost when speed replaces patience.

“Music sometimes requires time.”

Solomun said producers still need to understand where music comes from, develop their craft and allow ideas enough time to grow.

He revealed that most of his own work develops over months. A track may reach around 80 percent relatively quickly. However, for him, the real work is often hidden in the final details.

And he offered one particularly striking observation about younger producers:

“Perhaps that is what the new generation lacks a little, dedication to detail.”

Tennis is how Solomun switches off

Away from touring, studios and marathon DJ sets, one activity has become particularly important to him: tennis.

“That may be the most important thing for me.”

Solomun explained that playing regularly has become valuable for both his physical and mental wellbeing. It gives him an opportunity to completely disconnect — a recurring theme addressed in the Solomun interview 2026.

“It means a great deal to me mentally and helps me switch off.”

He even has a personal rule around his schedule: after 5 p.m., he prefers not to receive calls as he prepares to play tennis and have time to himself.

No car, no house — but two saunas

Perhaps the interview’s most unexpected revelation involved another of Solomun’s favorite ways to disconnect.

“I don’t have a car, a house, or anything like that. Actually, I have two saunas.”

And there is a reason for having two. According to the Solomun interview for 2026, this quirky detail is part of his self-care routine.

According to Solomun, if one ever breaks down, he simply does not want to risk being left without a sauna.

His interest goes further. He collects different sauna scents, ranging from eucalyptus to aromas inspired by German forests. In addition, he enjoys creating his own mixtures.

Even away from the studio, apparently, Solomun is still mixing.

Why Solomun admires Novak Djokovic

His love of tennis naturally led the conversation to Novak Djokovic. Solomun made it clear that his admiration goes far beyond Djokovic’s achievements on the court. These personal insights add further depth to the Solomun interview 2026 series.

“I am a huge, huge fan.”

Solomun highlighted Djokovic’s mindset, his outlook on life and, particularly, his ability to remain committed to his values while facing enormous pressure.

His description of the Serbian tennis star was one of the interview’s standout quotes:

“He was like a tree in the middle of a tornado.”

Solomun also revealed that he once came close to meeting Djokovic through Juan Martín del Potro, but conflicting commitments meant the meeting never happened.

Returning to his Balkan roots

The conversation also explored Solomun’s deep connection to the Balkans, as reflected in the revealing Solomun interview 2026 found here.

Born in Travnik, Bosnia and Herzegovina, before growing up in Hamburg, Solomun recalled childhood trips to Bosnia and Croatia and the importance of family and togetherness in his upbringing.

Performing in the region remains deeply emotional for him — sometimes almost too emotional.

He admitted that the pressure he puts on himself when playing for his home audience can make those performances particularly difficult.

For summer 2026, he revealed that he had cancelled several performances. He did this in order to focus on returning to Bosnia during the Sarajevo Film Festival.

A rare look at Solomun beyond the music

For an artist who deliberately keeps much of his personal world private, the Vogue Adria conversation offers a rare glimpse into the person behind one of electronic music’s most recognizable careers. This is most apparent in the exclusive Solomun interview 2026 excerpts.

Phones should capture moments rather than replace them. Music deserves time and attention to detail. Tennis provides an escape. Two saunas provide insurance. And despite decades of international success, his connection to his Balkan roots remains deeply personal.

Most importantly, Solomun appears determined to keep the music itself at the center of everything.

The full original interview with Solomun, conducted by Tara Đukić, is available via Vogue Adria.