The 15-track compilation establishes the musical identity of Anyma’s new label, bringing together Argy, Kevin de Vries, Massano, Baset, Goom Gum, Volkoder and more. ÆDEN: Digital Renaissance Vol. I marks a new era for the label and showcases its distinctive sound.

Anyma has officially released ÆDEN: Digital Renaissance Vol. I, the debut compilation from his newly established ÆDEN Records.

Released on August 28, the 15-track project offers the clearest look yet at the sound, direction and collaborative philosophy behind the label. It brings together established names from Anyma’s creative circle alongside emerging producers and newer discoveries.

More than a traditional various-artists compilation, Digital Renaissance Vol. I operates as the first complete musical blueprint for ÆDEN — connecting its record label, live shows and visual identity within one expanding creative world.

A 15-Track Blueprint for ÆDEN Records

When Anyma introduced ÆDEN Records, he described its musical direction as “broad and cross-genre, but always with a melodic core at heart.”

That philosophy runs throughout ÆDEN: Digital Renaissance Vol. I. The compilation moves between melodic techno, darker club records and more direct dancefloor productions without losing the emotional and cinematic character associated with Anyma’s work.

The official 15-track edition opens with Anyma’s “Atoma” and closes with Solance’s “Knockout.” Between those two points, the album presents a wide selection of artists, collaborations and different interpretations of the ÆDEN sound.

Rather than building the project entirely around its founder, Anyma appears on only four of the 15 tracks. As a result, the compilation feels like the beginning of a genuine label ecosystem instead of another artist-led album presented under a new imprint.

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Collaboration Drives the Compilation

Collaboration sits at the centre of the project.

Argy joins forces with 7 SKIES on “Murda,” while Stylo, Q.U.A.K.E and Eli & Dani come together for “On The Ground.” Kevin de Vries links with Platero on “Man Like Me,” and Massano teams up with Humans Musik for “Underground.”

Elsewhere, PACS and Moonphazes deliver “Shake The Block,” while Colyn contributes “When The Fire Starts To Burn.” Goom Gum also appears with “March,” extending the compilation’s range beyond Anyma’s closest collaborators.

One of the most significant inclusions for audiences in Egypt and across the region is “Prophecy”, which brings Anyma and 19:26 together with Cairo-born producer Baset.

The track marks the second official collaboration between Anyma and Baset following “Neverland (From Japan).” Its inclusion also places an Egyptian producer at the heart of the first major release from ÆDEN Records.

Meanwhile, Anyma and Stylo revisit “No Good,” adding a familiar rave reference to an album that otherwise focuses heavily on unreleased and emerging club material.

From ‘Other Dimension’ to a Complete Label Vision

The rollout for ÆDEN Records began on August 14 with “Other Dimension”, Anyma’s first collaboration with Brazilian producer Volkoder.

The track served as the label’s inaugural release and introduced a more physical, club-focused side of the ÆDEN concept. Two weeks later, Digital Renaissance Vol. I expanded that first statement into a complete catalogue.

That timing feels deliberate. Instead of slowly establishing the label through a sequence of disconnected singles, Anyma has launched ÆDEN with an immediate community of artists and a clearly defined creative direction.

“Other Dimension” now takes its place as the sixth track on the compilation, surrounded by records that develop the label’s melodic core in different ways.

Where Music and World-Building Meet

ÆDEN was already developing as Anyma’s next audiovisual chapter before the launch of the record label.

The concept made its live debut during Coachella 2026 before expanding into a global tour and a summer residency at [UNVRS] Ibiza. The venue describes ÆDEN as an immersive experience where architecture, technology, sound and the audience interact in real time.

The compilation extends that same approach into recorded music.

Its artwork combines classical, statuesque figures with sharp contemporary typography and a dark futuristic backdrop. The contrast between ancient imagery and digital design reflects the wider visual language of the ÆDEN live show.

Therefore, Digital Renaissance Vol. I is not simply connected to the tour through its title. It translates the show’s ideas of transformation, technology and reconstructed mythology into the identity of the label itself.

What ‘Digital Renaissance Vol. I’ Means for ÆDEN

Anyma’s music has long existed at the intersection of sound, technology and visual storytelling. However, ÆDEN Records gives him a new platform for extending that vision through other artists.

The compilation does not abandon the melodic identity that helped define his previous work. Instead, it widens the frame around it.

Established artists such as Argy, Kevin de Vries, Massano, Colyn and Goom Gum provide immediate weight to the project. At the same time, contributions from names including Platero, Humans Musik, Moonphazes, Final Request and Solance suggest that discovery will also play an important role in the label’s future.

Taken together, the 15 tracks position ÆDEN as more than a home for Anyma’s own releases. They introduce a collaborative platform capable of connecting established headliners, emerging producers and the evolving sound of his live sets.

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ÆDEN: Digital Renaissance Vol. I Tracklist

Anyma – Atoma
Argy & 7 SKIES – Murda
Stylo, Q.U.A.K.E & Eli & Dani – On The Ground
Jast – Dancin
Kevin de Vries & Platero – Man Like Me
Anyma & Volkoder – Other Dimension
Massano & Humans Musik – Underground
Skuro & Final Request – F*ck The Club
PACS & Moonphazes – Shake The Block
SLVR – Say Less
Colyn – When The Fire Starts To Burn
Anyma, 19:26 & Baset – Prophecy
Goom Gum – March
Anyma & Stylo – No Good
Solance – Knockout